| The Lost World: Jurassic Park | |
|---|---|
| Soundtrack album by John Williams | |
| Released | May 20, 1997 |
| Recorded | 1997 |
| Genre | Score |
| Length | 1:13:15 |
| Label | MCA |
| Producer | John Williams |
Like its predecessor, The Lost World: Jurassic Park was scored by famed composer John Williams, a longtime collaborator with director Steven Spielberg. The music was orchestrated by Conrad Pope and John Neufeld and recorded in Los Angeles. Notably, Williams did not write a stereotypical sequel score, but instead developed a wildly different style for the different location, cast, and tone of the second Jurassic Park film.
The original soundtrack album — released by MCA Records on May 20, 1997 — features over seventy minutes of music from the film, including some material that was not used in the final cut of the film (e.g. "The Hunt"). The single disc is packaged in a paper case that opens to reveal dioramas of jungle scenery and dinosaurs from the film.
Contents |
For this score, Williams largely avoided using the three major themes he had written for Jurassic Park. Quiet strains of the so-called "island fanfare" are occasionally heard, with one scene even including a more robust statement copied note-for-note from the Jurassic Park cue "Jurassic Park Gate." But "Theme from Jurassic Park" isn't heard until the film's final scene and end credits, and the four-note melody that underscored the threat of the carnivorous dinosaurs in the first film is almost entirely absent.
However, Williams did write two new primary themes for this score. The first is a rousing melody typically given to the horns, trombones, and strings over a churning accompaniment provided by low woodwinds and percussion. This theme is darker and less overtly heroic than the "island fanfare", but its role is rather similar in that it mainly underscores the expedition's adventurous nature. Williams intended to use this theme only four times in the film: for the arrival on the island, for the departure from the island, in the final moments of the film, and in the end credits. But statements of this theme were tracked into several additional scenes so that it is heard more often than originally intended, and the version heard in the end credits (simply entitled "The Lost World") has been adapted and published for concert performances.
Less memorable but much more frequently heard is the film's second new theme, a haunting four-note melody that essentially replaces its more boldly menacing predecessor from Jurassic Park. The film opens with this motif, and it frequently returns to convey the dark, mysterious nature of Isla Sorna and the dinosaurs that inhabit it.
The score to The Lost World takes on a very different tone from that of Jurassic Park. The original film balances tense action scoring and horror elements with a sense of wonderment and awe, but the sequel is mostly devoid of the latter. Williams elected to play up the jungle setting of the film with a variety of percussion instruments (including congas, bongos, "jungle drums", gourds, log drums, and tabla). These are heard during many scenes on Isla Sorna, sometimes as a quiet rhythmic background and sometimes as an intense, grooving foundation for brassy action music. The brooding, tropical atmosphere is further enhanced by other instruments, such as shakuhachi and "animal sounds" played by a synthesizer. The themes described above are present in some cues, but much of the music is not based on any identifiable theme.
Another common stylistic element in this score is aleatoric writing. To create a sense of chaos and terror, Williams provides a series of pitches to a group of instruments and instructs them to play them quickly ad lib for a given number of measures. Although this technique has been used in many scores by Williams and other composers, The Lost World employs this effect with unusual frequency, particularly for scenes involving the compsognathus.
This is the most complete list of cues currently available. The cue titles are the actual names used during production, as are the slate numbers.
The new performance of "Theme from Jurassic Park" was ostensibly recorded for The Lost World, but its original title and slate number (if any) are currently unknown.
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